Okay, so it’s not really an “old song.” In fact, “The Dance” came into being a mere eight months ago if you’re counting its first release date; twenty months if you’re talking about it’s original inception. And it’s not really a “new twist,” either, because the funny thing is, the Bad Guys’ version is how I intended for the song to sound all along.
Let me backtrack a bit: May 2010. I was coming home from an awesome week in Austin, TX; doing nothing but soaking in the rich and fertile music scene that has blessed that town. I was on a three-month sabbatical that summer in an attempt to reclaim my creative musical muse and regain some confidence in my songwriting chops. I boarded the US Airways flight and found my seat. As I was putting my bag in the overhead compartment, I noticed in the row behind me a young woman, sitting there with a little kid in her lap. I’m going to guess he was 10 or 12 months old. Normally this quick visual would mean little to me, vanishing from my consciousness as soon as I turned to sit down. But for some reason this stuck with me. Maybe it was that muse starting to show itself again. Maybe it was odd effects of a plane cabin being pressurized for flight. Whatever it was, I ran with it. As soon as the pilot gave the ok, I opened the laptop and began typing lyrics, imagining this story that I’m sure had no grounding in reality, about this woman and her child, returning home to her husband or boyfriend whom she had left a few months before. A song of redemption and second chances and starting anew. I began switching back and forth to GarageBand, clumsily using the keyboard to type in guitar chord progressions and a rough melody line. By the time my plane landed in Charlotte I had the makings of a new song.
The funny thing is, songs have a habit of evolving on their own in ways that sometimes surprise even the person who wrote it. Take a moment to listen to how this song came out on my solo album last May, Let Go:
You’ll notice the tune is piano-based, more free-flowing. And, of course, the “Hey Jude” moment at the end. I couldn’t be more pleased with how it all came together. But the thing is, this is not how I originally imagined the song. I wrote it to be a full-band tune, much more up-tempo, very Jayhawks-ish. When it came time to record the Let Go project, however, I knew I wanted a piano number to close the album on. I tried writing one, but couldn’t really settle on anything. On a whim I decided to try my Austin-plane flight tune on the ivories, and knew immediately I had what I wanted.
Back to the Bad Guys. In this Download-A-Month project of ours, Doug has pressed the rest of us hard to write, write, write and submit songs for band consideration. Initially I hesitated throwing “The Dance” in the mix because I already recorded it; and the last thing we wanted this MBG project to be was simply a rehash of Jerry/Doug/Steve solo songs. But the more we played “The Dance” in that originally-intended up-tempo style, the more we liked it. In the end we decided it was different enough from the “Let Go” version to merit as a Bad Guys single. See what you think:
This was a fun tune to record, as I got to play all three of my instruments: acoustic, piano and Hammond. Listening to Les’s smooth vocals wax poetic on my lyrics is a treat every time I press play. I’m especially stoked about the backing vocals that Jerry, Doug and I recorded, ala “Bohemian Rhapsody,” where all of the band members of Queen recorded each of the various parts individually to give it that choral feel. We decided to give that a shot here, and in my opinion it more than paid off.
I like the fact that music can be interpreted, experienced and re-experienced in so many different ways. There’s a universality about that which is especially intriguing to me. I think that is what keeps guys like me, and bands like the Bad Guys, doing what they’re doing. We sure appreciate you coming along for the ride.
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TO DOWNLOAD JANUARY’S SONG “THE DANCE,” CLICK HERE
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